Narrativa e modernidade. O cinema não–narrativo do pós-guerra. Editora Papirus, 2000.
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This book discusses the opposition between narrability and non-narrability which crosses over a great part of the theories on the cinema and which works as a kind of protolanguage regarding the history of cinema, especially the cinema language notice. The author also proposes an analysis of three important movements of the post-war cinema: the experimental cinema, the direct cinema and the disnarrative cinema.